Afterwards I have placed a Utility plugin which is converting the low end into mono, with the width control set to as narrow as it can go. This is macro mapped to the crossover frequency. Inside of the Lows change is an EQ eight and we have the EQ eight rolling off anything above 122hz. Pro-tip: Split your signal into bands and custom tailor effects chains to each frequency.What this rack is doing is a multi band split, so we can process the lows and highs separately. As promised in part 2 we’re gonna dive into the racks, breaking them apart step-by-step, and deconstruct them so you can see exactly how they are put together.
BROOMSTICK BASS WITH ABLETON LIVE PATCH
In the patch in the first video, we used a couple Audio Effect Racks that were fairly integral to the final sound. If you didn’t get a chance to catch the first video, here is the link so you can get up to speed. In a recent video we covered the new Max 4 Live Bass Synth with the new Ableton Live 9.5 update. I have a whole playlist of free videos on the course page, so head here to watch them!
BROOMSTICK BASS WITH ABLETON LIVE PRO
We go into all the ninja tricks and pro tips for making hard hitting, heavily engineered bass for electronic music. If you like what we’ve covered here today and you want to get deeper into Serum and bass sound design, come check out my Blitz Bass Sound Design Ultra Class. We hate spam and never buy, sell or share email addresses. Our weekly newsletter offers opportunities to get discounts, free downloads, exclusive offers, industry news, first dibs on new courses and other juicy production goodies. By submitting for this free download you will be added to our email newsletter list.
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